Publications

Recent and forthcoming publications by ITIA staff


DAVID BROWN

‘Experience, Symbol and Revelation: Continuing the Conversation’ in R. MacSwain & T. Worley ed., Theology, Aesthetics and Culture: Responses to the Work of David Brown, Oxford University Press, 2012 (978-0-19-964682-1), 265-96.
[Concluding comments from Brown on twenty scholars’ responses to the five volumes he published with OUP on theology and the imagination between 1999 and 2008: Tradition and Imagination (1999); Discipleship and Imagination (2000); God and Enchantment of Place (2004); God and Grace of Body (2007); God and Mystery in Words (2008).]

‘The Oratorio in 19th Century Britain,’ in M.V. Clarke ed., Music and Theology in Nineteenth Century Britain, Ashgate, 2012 (978-4094-0989-2), 181-95.

‘The Darkness and Light are Both Alike to Thee: Light as Symbol and its Transformations,’ in G. O’Collins & M.A. Meyers ed., Light from Light: Scientists and Theologians in Dialogue, Grand Rapids: Eerdmans, 2012 (978-0-8028-6667-7), 160-82.

‘Architecture,’ in C. Taliaferro, V.S. Harrison & S. Goetz ed., Routledge Companion to Theism, Routledge, 2012 (978-0-415-88164-7), 55-63.

‘The Sacramental in Modern European Thought,’ in N. Adams, G. Pattison & G. Ward ed., The Oxford Handbook of Theology and Modern European Thought, Oxford University Press, 2013 (978-0-19-960199-8), 593-610.

‘Human Sacrifice and Two Imaginative Worlds: Aztec and Christian: Finding God in Evil,’ in Julia Meszaros & Johannes Zachhuber eds., Sacrifice and Modern Thought, Oxford University Press, 2013 (978-0-19-965928-9), 180-96.


GAVIN HOPPS

Byron’s Ghosts: The Spectral, the Spiritual and the Supernatural, ed. Gavin Hopps. Liverpool University Press, 2013.

‘Gaiety and Grace: Byron and the Tone of Catholicism,’ in The Byron Journal, vol. 41, no. 1 (2013).

‘Religion and Ethics: The Necessity of Atheism, A Refutation of Deism, On Christianity,’ in The Oxford Handbook of Shelley Studies, ed. Michael O’Neill and Tony Howe. Oxford University Press, 2013.

Morrissey: The Pageant of His Bleeding Heart, Second Edition. Continuum, 2012.

‘Hoping Against Hope: Morrissey and the Light that never Goes Out,’ in Patterns of Promise: Art, Imagination and Christian Hope, ed. Trevor Hart, Gavin Hopps and Jeremy Begbie. Ashgate, 2012.

‘Infinite Hospitality and the Redemption of Kitsch,’ Theology, Aesthetics, and Culture: Conversations with the Work of David Brown, ed. Robert MacSwain and Taylor Worley. Oxford University Press, 2011.


JUDITH WOLFE

C.S. Lewis and His Circle: Essays & Memoirs from the Oxford C.S. Lewis Society. Edited with Roger White and Brendan Wolfe. New York: Oxford University Press, 2015. [in press]

‘Hermione’s Sophism: Ordinariness and Theatricality in Shakespeare’s Winters Tale,’ in Philosophy & Literature 39, Supplementary Issue, April 2015.

Heidegger and Theology. London: Continuum, 2014.

Heidegger’s Eschatology: Theological Horizons in Martin Heidegger’s Early Thought. Oxford: Oxford University Press, 2013.

C.S. Lewis’ Perelandra: Reshaping the Image of the Cosmos. Edited with Brendan Wolfe. Kent: Kent State University Press, 2013.

C.S. Lewis and the Church: Essays in Honour of Walter Hooper. Edited with Brendan Wolfe. London: T&T Clark, 2011.

Judith Wolfe is also founding General Editor of the Journal of Inklings Studies (ISSN 2045-8797, https://inklings-studies.org).


TREVOR HART

Patterns of Promise: Art, Imagination and Christian Hope. Edited with Gavin Hopps and Jeremy Begbie. Farnham: Ashgate, 2012.

‘Who am I? Imagination and the God of Biographia Literaria,’ The Coleridge Bulletin, New Series 38 (Winter 2011), 53-66.

‘Musical Time and Eschatology,’ by Alastair Borthwick, Trevor Hart and Anthony Monti in Resonant Witness, ed. J. Begbie and S. Guthrie (Grand Rapids: Eerdmans, 2011), 271-294.

Between the Image and the Word: Theological Engagements with
Imagination, Language and Literature.
 
Farnham: Ashgate, 2013.

‘Complicating Presence: Inter-disciplinary Perspectives on a Theological Question,’ in Göttliche Anwesenheit und Abwesenheit, ed. Nathan MacDonald and Izaak de Hulster (Leuven: Peeters, 2013), 1-22.

Making Good: Creation, Creativity and Artistry. Waco, TX: Baylor University Press, 2014.
[Volume 1 of a 3 volume project Poetics of Redemption. Volume 2 of the set, Transfiguring Flesh: Incarnation, Embodiment and Art, is currently in progress.]


IAN BRADLEY

Lost Chords and Christian Soldiers: The Sacred Music of Arthur Sullivan. SPCK Press, 2013.

Water Music: Music Making in the spas of Europe and North America. Oxford University Press, 2010.

Pilgrimage: A Spiritual and Cultural Journey. Lion Hudson, 2009. Translated into Norwegian, Dutch and Arabic.

The Call to Seriousness: The Evangelical Impact on the Victorians. Lion, 2006.

The Daily Telegraph Book of Carols. Continuum, 2006.

You’ve Got to Have a Dream: The Message of the Musical. SCM Press, UK, and Westminster John Knox, USA, 2005.


ANN LOADES

‘Dorothy L. Sayers: War and Redemption’ in E. Henderson and D. Hein (eds.), C.S. Lewis and Friends: Faith and the Power of the Imagination, SPCK 2011, 53-70.

‘Introduction’ in each of the Wipf & Stock republication of The Sacred Plays of Dorothy L. Sayers 2011, 7-20 or equivalent.

‘Evelyn Underhill (1895-1941): Mysticism and Worship,’ International Journal for the Study of the Christian Church 10:1 (2010), 57-70.

‘Mysticism: The Energetic Love’ in L. Nestrop and S. Podmore (eds.), Exploring Lost Dimensions in Christian Mysticism, Ashgate 2013, 117-129.

‘Anglican Spirituality’ in M. Chapman, S. Clarke and M.Percy (eds.), The Oxford Handbook of Anglican Studies, OUP 2015, 149-164.

Forthcoming: Essay on Evelyn Underhill’s novels for a book on Anglican women novelists, Judith Maltby and Alison Shell (eds.), 2017.

‘Elizabeth Cady Standon’s The Woman’s Bible’ in M. Lieb, E. Mason and J. Roberts (eds.), The Oxford Handbook of the Reception History of the Bible, OUP 2011, 307-322.

‘Simone Weil: Resistance and Writing,’ International Journal of Public Theology 4:1 (2010), 100-117.

‘Simone Weil’ in C. Meister and J.Beilby (eds.), The Routledge Companion to Modern Christian Thought 2013, 207-216.

‘Difficult Texts: John 11.44,’ Theology 119:5 (2016), 323-326.


PUBLICATIONS BY CURRENT AND FORMER ITIA POSTGRADUATES

Bartel, Timothy E.G. The Martyr, The Grizzly, The Gold: Poems. Bronxville, NY: Damascene Press, 2012.

Brewer, Christopher R. Art that Tells the Story. Grand Rapids, MI: Gospel through Shared Experience, 2011.

Brewer, Christopher R. Art that Tells the Story: Conversation Guide. Grand Rapids, MI: Gospel through Shared Experience, 2011.

Brewer, Christopher R. Understanding Natural Theology. Grand Rapids, MI, Zondervan Academic, forthcoming.

Clark, Tony. Divine Revelation and Human Practice: Responsive and Imaginative Participation. Eugene, OR: Cascade, 2008.

Colledge, Gary L. Dickens, Christianity and ‘The Life of Our Lord’. London: Continuum, 2009.

Colledge, Gary L. God and Charles Dickens: Recovering the Christian Voice of a Classic Author. Grand Rapids, MI: Brazos, 2012.

Edwards, L. Clifton. Creation’s Beauty as Revelation: Toward a Creational Theology of Natural Beauty. Eugene, OR: Pickwick, 2014.

Gabelman, Daniel. George MacDonald: Divine Carelessness and Fairytale Levity. Waco, TX: Baylor University Press, 2013.

Genig, Joshua D. The Sacramentality of the Word: The Annunciation of Mary and Corporeality. Minneapolis: Fortress, forthcoming.

Goroncy, Jason. Hallowed Be Thy Name: The Sanctification of All in the Soteriology of P.T. Forsyth. London: T&T Clark, 2013.

Goroncy, Jason. ‘Descending on Humanity and Intervening in History’: Notes from the Pulpit Ministry of P.T. Forsyth. Eugene, OR: Pickwick, 2013.

Goroncy, Jason. Tikkun Olam – To Mend the World: A Confluence of Theology and the Arts. Eugene, OR: Pickwick, forthcoming.

Goroncy, Jason. Publicola: Letters, Poems and Reviews from the Pen of P.T. Forsyth, forthcoming.

Begbie, Jeremy S. and Steven R. Guthrie, eds. Resonant Witness: Conversations Between Music and Theology. Grand Rapids, MI: Eerdmans, 2011.

Guthrie, Steven R. Creator Spirit: The Holy Spirit and the Art of Becoming Human. Grand Rapids, MI: Baker Academic, 2011.

Hart, Trevor A. and Steven R. Guthrie, eds. Faithful Performances: Enacting Christian Tradition. Aldershot: Ashgate, 2007.

Jebb, Sharon. Writing God and the Self: Samuel Beckett and C.S. Lewis. Eugene, OR: Pickwick Publications, 2011.

Jenson, Matt. The Gravity of Sin: Augustine, Luther, and Barth on ‘homo incurvatus in se’. London: T&T Clark, 2007.

Johnson, Kristen Deede. Theology, Political Theory, and Pluralism: Beyond Tolerance and Difference. London: Cambridge University Press, 2010.

Johnson, Trygve David. The Preacher as Liturgical Artist: Metaphor, Identity, and the Vicarious Humanity of Christ. Cascade Books, 2014.

Hart, Trevor A. and Ivan Kovacs, eds. Tree of Tales: Tolkien, Literature and Theology. Waco, TX: Baylor University Press, 2007.

Kreglinger, Gisela H. Storied Revelations: Parables, Imagination, and George MacDonald’s Christian Fiction. Eugene, OR: Pickwick, 2013.

Kreglinger, Gisela H. The Spirituality of Wine. Grand Rapids: Eerdmans, 2016.

Loades, Ann and Robert MacSwain, eds. The Truth Seeking Heart: Austin Farrer and His Writings. Norwich: Canterbury Press, 2006.

MacSwain, Robert and Michael Ward, eds. The Cambridge Companion to C.S. Lewis. Cambridge: Cambridge University Press, 2010.

MacSwain, Robert and Taylor Worley, eds. Theology, Aesthetics, and Culture: Responses to the Work of David Brown. Oxford: Oxford University Press, 2012.

MacSwain, Robert. Solved by Sacrifice: Austin Farrer, Fideism, and the Evidence of Faith, Studies in Philosophical Theology, 51. Leuven: Peeters, 2013.

MacSwain, Robert, ed. Scripture, Metaphysics, and Poetry: Austin Farrer’s The Glass of Vision With Critical Commentary. Ashgate, 2013.

McCullough, James. Sense and Spirituality: The Relationship Between the Arts and Spiritual Formation. Eugene, OR: Cascade, forthcoming.

MacLachian, Christopher, John Patrick Pazdziora and Ginger Stelle, eds. Rethinking George MacDonald: Contexts and Contemporaries. Glasgow: Scottish Literature International, 2013.

Pazdziora, John Patrick and Micah Snell. A Brand of Fictional Magic: Reading Harry Potter as Literature. Oklahoma City, OK: Unlocking, forthcoming.

Pazdziora, John Patrick and Defne Çizakça, eds. New Fairy Tales: Essays and Stories. Unlocking Press, 2013.

Tallon, Phillip. The Poetics of Evil: Toward an Aesthetic Theodicy. Oxford: Oxford University Press, 2011.

Tallon, Phillip and David Baggett, eds. The Philosophy of Sherlock Holmes. Lexington, KY: University Press of Kentucky, 2012.

Kapic, Kelly M. and Wesley Vander Lugt. Pocket Dictionary of the Reformed Tradition. Downers Grove: InterVarsity, 2013.

Vander Lugt, Wesley. Living Theodrama: Reimagining Theological Ethics. Aldershot: Ashgate, forthcoming.

Vander Lugt, Wesley and Trevor Hart, eds. Theatrical Theology: Explorations in Performing the Faith. Eugene, OR: Cascade, 2014.

Quash, Ben and Michael Ward, eds. Heresies and How to Avoid Them: Why It Matters What Christians Believe. Grand Rapids, MI: Baker Academic, 2007.

MacSwain, Robert and Michael Ward, eds. The Cambridge Companion to C.S. Lewis. Cambridge: Cambridge University Press, 2010.

Ward, Michael. Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis. Oxford: Oxford University Press, 2008.

Ward, Michael. The Narnian Code: C.S. Lewis and the Secret of the Seven Heavens. Carol Stream, IL: Tyndale House, 2010.

Watkins, Jim. Creativity as Sacrifice: Toward a Theological Model for Human Creativity in the Arts. Minneapolis: Fortress, forthcoming.

MacSwain, Robert and Taylor Worley, eds. Theology, Aesthetics, and Culture: Responses to the Work of David Brown. Oxford: Oxford University Press, 2012.

Yancey, Preston. Tables in the Wilderness: A Memoir of God Found, Lost, and Found Again. Grand Rapids: Zondervan, 2014.

Yancey, Preston. House of Bread. Grand Rapids: Zondervan, forthcoming.