Publications

Recent and forthcoming publications by ITIA staff



DAVID BROWN

The Extravagance of Music, co-authored with Gavin Hopps, Cham: Palgrave Macmillan, 2018 (978-3-319-91817-4 and e-book: 91818-1). Foreword by Frank Burch Brown (pp.v-xvii).

‘Glory and beauty in the world and in God: a critique of Hans Urs von Balthasar,’ International Journal for the Study of the Christian Church, vol. 18, no. 2-3 (2018 special issue, ‘Reflecting a Catholic Mind’ in memory of Bishop Geoffrey Rowell), 173-186.

‘The Moving Text: A Reply,’ in Garrick V. Allen, Christopher R. Brewer, and Dennnis F. Kinlaw III, eds., The Moving Text: Interdisciplinary Perspectives on David Brown and the Bible, London: SCM, 2018 (978-0-334-05526-6), 207-230.

‘Appendix: the Moving Text in the Life of the Church,’ four sermons by David Brown published in the above volume, 234-247.

‘The Sacramental in Modern European Thought,’ in N. Adams, G. Pattison & G. Ward ed., The Oxford Handbook of Theology and Modern European Thought, Oxford University Press, 2013 (978-0-19-960199-8), 593-610.

‘Human Sacrifice and Two Imaginative Worlds: Aztec and Christian: Finding God in Evil,’ in Julia Meszaros & Johannes Zachhuber eds., Sacrifice and Modern Thought, Oxford University Press, 2013 (978-0-19-965928-9), 180-96.

‘The Oratorio in 19th Century Britain,’ in M.V. Clarke ed., Music and Theology in Nineteenth Century Britain, Ashgate, 2012 (978-4094-0989-2), 181-95.

‘The Darkness and Light are Both Alike to Thee: Light as Symbol and its Transformations,’ in G. O’Collins & M.A. Meyers ed., Light from Light: Scientists and Theologians in Dialogue, Grand Rapids: Eerdmans, 2012 (978-0-8028-6667-7), 160-82.

‘Architecture,’ in C. Taliaferro, V.S. Harrison & S. Goetz ed., Routledge Companion to Theism, Routledge, 2012 (978-0-415-88164-7), 55-63.

‘Experience, Symbol and Revelation: Continuing the Conversation’ in R. MacSwain & T. Worley ed., Theology, Aesthetics and Culture: Responses to the Work of David Brown, Oxford University Press, 2012 (978-0-19-964682-1), 265-96. [Concluding comments from Brown on twenty scholars’ responses to the five volumes he published with OUP on theology and the imagination between 1999 and 2008: Tradition and Imagination (1999); Discipleship and Imagination (2000); God and Enchantment of Place (2004); God and Grace of Body (2007); God and Mystery in Words (2008).]



GAVIN HOPPS

The Extravagance of Music, co-authored with David Brown, Cham: Palgrave Macmillan, 2018 (978-3-319-91817-4 and e-book: 91818-1). Foreword by Frank Burch Brown (pp.v-xvii).

Pondus Amoris and Agapic Levity: Re-evaluating the Lightness of Being’, in ed. Christopher R. Brewer, Christian Theology and the Transformation of Natural Religion: Essays in Honour of David Brown (Leuven: Peeters, 2018), 207-234.

Byron’s Ghosts: The Spectral, the Spiritual and the Supernatural, ed. Gavin Hopps (Liverpool University Press, 2013).

‘Gaiety and Grace: Byron and the Tone of Catholicism,’ in The Byron Journal, vol. 41, no. 1 (2013).

‘Religion and Ethics: The Necessity of Atheism, A Refutation of Deism, On Christianity,’ in The Oxford Handbook of Shelley Studies, ed. Michael O’Neill and Tony Howe (Oxford University Press, 2013).

Morrissey: The Pageant of His Bleeding Heart, Second Edition (Continuum, 2012).

‘Hoping Against Hope: Morrissey and the Light that never Goes Out,’ in Patterns of Promise: Art, Imagination and Christian Hope, ed. Trevor Hart, Gavin Hopps and Jeremy Begbie (Ashgate, 2012).

‘Infinite Hospitality and the Redemption of Kitsch,’ Theology, Aesthetics, and Culture: Conversations with the Work of David Brown, ed. Robert MacSwain and Taylor Worley (Oxford University Press, 2011).

 



JUDITH WOLFE

C.S. Lewis and His Circle: Essays & Memoirs from the Oxford C.S. Lewis Society. Edited with Roger White and Brendan Wolfe. New York: Oxford University Press, 2015. [in press]

‘Hermione’s Sophism: Ordinariness and Theatricality in Shakespeare’s Winters Tale,’ in Philosophy & Literature 39, Supplementary Issue, April 2015.

Heidegger and Theology. London: Continuum, 2014.

Heidegger’s Eschatology: Theological Horizons in Martin Heidegger’s Early Thought. Oxford: Oxford University Press, 2013.

C.S. Lewis’ Perelandra: Reshaping the Image of the Cosmos. Edited with Brendan Wolfe. Kent: Kent State University Press, 2013.

C.S. Lewis and the Church: Essays in Honour of Walter Hooper. Edited with Brendan Wolfe. London: T&T Clark, 2011.

Judith Wolfe is also founding General Editor of the Journal of Inklings Studies (ISSN 2045-8797, http://inklings-studies.org).



TREVOR HART

In Him Was Life: The Person and Work of Christ (Waco, TX: Baylor University Press, 2019).

Making Good: Creation, Creativity and Artistry (Waco, TX: Baylor University Press, 2014).
[Volume 1 of a 3 volume project Poetics of Redemption. Volume 2 of the set, Transfiguring Flesh: Incarnation, Embodiment and Art, is currently in progress.]

Between the Image and the Word: Theological Engagements with
Imagination, Language and Literature.
 
Farnham: Ashgate, 2013.

‘Complicating Presence: Inter-disciplinary Perspectives on a Theological Question,’ in Göttliche Anwesenheit und Abwesenheit, ed. Nathan MacDonald and Izaak de Hulster (Leuven: Peeters, 2013), 1-22.

Patterns of Promise: Art, Imagination and Christian Hope. Edited with Gavin Hopps and Jeremy Begbie. Farnham: Ashgate, 2012.

‘Who am I? Imagination and the God of Biographia Literaria,’ The Coleridge Bulletin, New Series 38 (Winter 2011), 53-66.

‘Musical Time and Eschatology,’ by Alastair Borthwick, Trevor Hart and Anthony Monti in Resonant Witness, ed. J. Begbie and S. Guthrie (Grand Rapids: Eerdmans, 2011), 271-294.

 



IAN BRADLEY

Argyll: The Making of a Spiritual Landscape (Edinburgh: St Andrews Press, 2015).

Lost Chords and Christian Soldiers: The Sacred Music of Arthur Sullivan (SPCK Press, 2013).

Water Music: Music Making in the spas of Europe and North America (Oxford University Press, 2010).

Pilgrimage: A Spiritual and Cultural Journey (Lion Hudson, 2009). Translated into Norwegian, Dutch and Arabic.

The Call to Seriousness: The Evangelical Impact on the Victorians (Lion, 2006).

The Daily Telegraph Book of Carols (Continuum, 2006).

You’ve Got to Have a Dream: The Message of the Musical (SCM Press, UK, and Westminster John Knox, USA, 2005).



ANN LOADES

’A wake-up call?’ Theology vol.123 (2), 2020: 124-128.

‘Evelyn Underhill (1875-1941): Mysticism in Fiction’ in Judith Maltby and Alison Shell (eds.), Anglican Women Novelists (London/New York: T&T Clark/Bloomsbury 2019), pp.73-84, 227-231.

‘More Catholic than Rome; more reformed than Geneva: Joseph P. Cassidy and possibilities for renewal in the Church of England,’ International Journal for the Study of the Christian Church, 19:1 (2018): 1-13.

‘Lazarus without limits: scripture, tradition and the cultural life of a text,’ International Journal for the Study of the Christian Church, vol. 18, no. 2-3 (2018 special issue, ‘Reflecting a Catholic Mind’ in memory of Bishop Geoffrey Rowell), 252-264.

‘Some Straws in the Wind: Reflections towards theological engagement with Theatre Dance’ in Christopher R. Brewer (ed.), Christian Theology and the Transformation of Natural Religion: Essays in Honour of David Brown (Leuven: Peeters 2018), 191-205.

‘L’impatto della Riforma in Inghilterra e Scozia’ in Letizia Tomassone e Adriana Valerio (eds.), Bibbia, donne, profezia. A partire dalla Riforma, Firenze: Nerbini, 2018, 57-69. Italian translation of a paper given at a conference organised by the Coordinamento Teologie Italiane and the Faculta Valdese di Teologia di Roma, 2017.

‘A Priestly Role for Music: Concluding Reflection’ in Michael O’Connor, Hyun-Ah Kim and Christina Labriola (eds.), Music, Theology, and Justice (Lexington Books 2017), 211-216.

‘Difficult Texts: John 11.44,’ Theology 119:5 (2016), 323-326. Being developed into a full-scale essay on ‘Lazarus’ in theology/culture for Int. J. for the Study of the Christian Church collection of essays in honour of Geoffrey Rowell, 2018.

‘Anglican Spirituality’ in M. Chapman, S. Clarke and M.Percy (eds.), The Oxford Handbook of Anglican Studies, OUP, 2015), 149-164.

‘Simone Weil’ in C. Meister and J.Beilby (eds.), The Routledge Companion to Modern Christian Thought (Routledge, 2013), 207-216.

‘Mysticism: The Energetic Love’ in L. Nestrop and S. Podmore (eds.), Exploring Lost Dimensions in Christian Mysticism (Ashgate 2013), 117-129.

‘Dorothy L. Sayers: War and Redemption’ in E. Henderson and D. Hein (eds.), C.S. Lewis and Friends: Faith and the Power of the Imagination (SPCK, 2011), 53-70.

‘Introduction’ in each of the Wipf & Stock republication of The Sacred Plays of Dorothy L. Sayers (2011), 7-20 or equivalent.

‘Elizabeth Cady Standon’s The Woman’s Bible, ’in M. Lieb, E. Mason and J. Roberts (eds.), The Oxford Handbook of the Reception History of the Bible (OUP, 2011), 307-322.

‘Evelyn Underhill (1895-1941): Mysticism and Worship,’ International Journal for the Study of the Christian Church 10:1 (2010), 57-70.

‘Simone Weil: Resistance and Writing,’ International Journal of Public Theology 4:1 (2010), 100-117.

‘Publiciste, in Verita: “teologhe”’ (trans. Antonella Braida), Donna e teologia, ed. Cettina Militello (Bologna: EDB, 2004), 95-115.



PUBLICATIONS BY CURRENT AND FORMER ITIA POSTGRADUATES

Allen, Garrick V., Christopher R. Brewer, and Dennnis F. Kinlaw III, eds. The Moving Text: Interdisciplinary Perspectives on David Brown and the Bible, London: SCM, 2018. (Contributions by various scholars connected with ITIA and the University of St Andrews, including David Brown, Rob MacSwain, Taylor Worley, Bill Hyland and Natasha O’Hear).

Allen, Tim M. Heaven and the Popular Imagination. Pickwick Publications, 2018.

Anderson, Kimberley J. and John Bolland. “Shape-shifting: TheoArtistry Poetry as Theological Action Research.” Open Cultural Studies 3.1 (2019), 47-61.

Bartel, Timothy E.G. The Martyr, The Grizzly, The Gold: Poems. Bronxville, NY: Damascene Press, 2012.

Brewer, Christopher R. Art that Tells the Story. Grand Rapids, MI: Gospel through Shared Experience, 2011.

Brewer, Christopher R., ed. Christian Theology and the Transformation of Natural Religion: From Incarnation to Sacramentality: Essays in Honour of David BrownLeuven: Peeters, 2018.

Brewer, Christopher R. ‘From apparently Finite to Infinite: Conceptual Art and Natural Theology’ in ed. Christopher R. Brewer, Christian Theology and the Transformation of Natural Religion: Essays in Honour of David Brown. Leuven: Peeters 2018, 173-189.

Root, Howard E., edited by Christopher R. Brewer. Theological Radicalism and Tradition: ‘The Limits of Radicalism’ with Appendices. London and New York: Routledge 2018.

Clark, Tony. Divine Revelation and Human Practice: Responsive and Imaginative Participation. Eugene, OR: Cascade, 2008.

Colledge, Gary L. Dickens, Christianity and ‘The Life of Our Lord’. London: Continuum, 2009.

Colledge, Gary L. God and Charles Dickens: Recovering the Christian Voice of a Classic Author. Grand Rapids, MI: Brazos, 2012.

Edwards, L. Clifton. Creation’s Beauty as Revelation: Toward a Creational Theology of Natural Beauty. Eugene, OR: Pickwick, 2014.

Froehlich, Caleb. “Peter Howson and the Language of Salvation: The Role of the Grotesque in Redemption’s Hades Cycle.” Religion and the Arts 23:1/2 (2019). https://doi.org/10.1163/15685292-02301004.

Gabelman, Daniel. George MacDonald: Divine Carelessness and Fairytale Levity. Waco, TX: Baylor University Press, 2013.

Genig, Joshua D. Viva Vox: The Sacramentality of the Word through the Annunciation. Minneapolis: Fortress, 2015.

Goroncy, Jason. Hallowed Be Thy Name: The Sanctification of All in the Soteriology of P.T. Forsyth. London: T&T Clark, 2013.

Goroncy, Jason. ‘Descending on Humanity and Intervening in History’: Notes from the Pulpit Ministry of P.T. Forsyth. Eugene, OR: Pickwick, 2013.

Goroncy, Jason. Tikkun Olam – To Mend the World: A Confluence of Theology and the Arts. Eugene, OR: Pickwick, 2014.

Begbie, Jeremy S. and Steven R. Guthrie, eds. Resonant Witness: Conversations Between Music and Theology. Grand Rapids, MI: Eerdmans, 2011.

Guthrie, Steven R. Creator Spirit: The Holy Spirit and the Art of Becoming Human. Grand Rapids, MI: Baker Academic, 2011.

Hart, Trevor A. and Steven R. Guthrie, eds. Faithful Performances: Enacting Christian Tradition. Aldershot: Ashgate, 2007.

Jebb, Sharon. Writing God and the Self: Samuel Beckett and C.S. Lewis. Eugene, OR: Pickwick Publications, 2011.

Jenson, Matt. The Gravity of Sin: Augustine, Luther, and Barth on ‘homo incurvatus in se’. London: T&T Clark, 2007.

Johnson, Kristen Deede. Theology, Political Theory, and Pluralism: Beyond Tolerance and Difference. London: Cambridge University Press, 2010.

Johnson, Trygve David. The Preacher as Liturgical Artist: Metaphor, Identity, and the Vicarious Humanity of Christ. Cascade Books, 2014.

Hart, Trevor A. and Ivan Kovacs, eds. Tree of Tales: Tolkien, Literature and Theology. Waco, TX: Baylor University Press, 2007.

Karlowicz, Tobias A. ‘Anglo-Catholics and the Ordination of Women: Some Unanswered Questions.’ Ecclesiology 16 (2020): 13-33.

Kreglinger, Gisela H. Storied Revelations: Parables, Imagination, and George MacDonald’s Christian Fiction. Eugene, OR: Pickwick, 2013.

Kreglinger, Gisela H. The Spirituality of Wine. Grand Rapids: Eerdmans, 2016.

Loades, Ann and Robert MacSwain, eds. The Truth Seeking Heart: Austin Farrer and His Writings. Norwich: Canterbury Press, 2006.

MacSwain, Robert and Michael Ward, eds. The Cambridge Companion to C.S. Lewis. Cambridge: Cambridge University Press, 2010.

MacSwain, Robert and Taylor Worley, eds. Theology, Aesthetics, and Culture: Responses to the Work of David Brown. Oxford: Oxford University Press, 2012.

MacSwain, Robert. ‘The Tradition of Reason: David Brown, Joseph Butler, and Divine Hiddenness,’ in ed. Christopher R. Brewer, Christian Theology and the Transformation of Natural Religion: Essays in Honour of David Brown. Leuven: Peeters 2018, 21-35.

MacSwain, Robert. Solved by Sacrifice: Austin Farrer, Fideism, and the Evidence of Faith, Studies in Philosophical Theology, 51. Leuven: Peeters, 2013.

MacSwain, Robert, ed. Scripture, Metaphysics, and Poetry: Austin Farrer’s The Glass of Vision With Critical Commentary. Ashgate, 2013.

Maynard, Joel. “TheoArtistry: collaborations with Sir James MacMillan and Michael Symmons Roberts,” Theology 2019: 122 (2), 100-107.

McCullough, James. Sense and Spirituality: The Relationship Between the Arts and Spiritual Formation. Eugene, OR: Cascade, 2015.

McKerron, Margaret F. “TheoArtistry: practical perspectives pm ‘theologically informed art.” International Journal for the Study of the Christian Church, 18:4 (2019) 354-368.

MacLachian, Christopher, John Patrick Pazdziora and Ginger Stelle, eds. Rethinking George MacDonald: Contexts and Contemporaries. Glasgow: Scottish Literature International, 2013.

Pazdziora, John Patrick and Micah Snell. Ravenclaw Reader: Seeking the Meaning and Artistry of J. K. Rowling’s Hogwarts Saga. Oklahoma City, OK: Unlocking Press, 2015.

Pazdziora, John Patrick and Defne Çizakça, eds. New Fairy Tales: Essays and Stories. Unlocking Press, 2013.

Tallon, Phillip. The Poetics of Evil: Toward an Aesthetic Theodicy. Oxford: Oxford University Press, 2011.

Tallon, Phillip and David Baggett, eds. The Philosophy of Sherlock Holmes. Lexington, KY: University Press of Kentucky, 2012.

Kapic, Kelly M. and Wesley Vander Lugt. Pocket Dictionary of the Reformed Tradition. Downers Grove: InterVarsity, 2013.

Vander Lugt, Wesley. Living Theodrama: Reimagining Theological Ethics. Aldershot: Ashgate, 2014.

Vander Lugt, Wesley and Trevor Hart, eds. Theatrical Theology: Explorations in Performing the Faith. Eugene, OR: Cascade, 2014.

Quash, Ben and Michael Ward, eds. Heresies and How to Avoid Them: Why It Matters What Christians Believe. Grand Rapids, MI: Baker Academic, 2007.

MacSwain, Robert and Michael Ward, eds. The Cambridge Companion to C.S. Lewis. Cambridge: Cambridge University Press, 2010.

Ward, Michael. Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis. Oxford: Oxford University Press, 2008.

Ward, Michael. The Narnian Code: C.S. Lewis and the Secret of the Seven Heavens. Carol Stream, IL: Tyndale House, 2010.

Watkins, Jim. Creativity as Sacrifice: Toward a Theological Model for Human Creativity in the Arts. Minneapolis: Fortress, 2015.

Worley, Taylor. Memento Mori in Contemporary Art: Theologies of Lament and Hope. Routledge, 2020.

MacSwain, Robert and Taylor Worley, eds. Theology, Aesthetics, and Culture: Responses to the Work of David Brown. Oxford: Oxford University Press, 2012.

Yancey, Preston. Tables in the Wilderness: A Memoir of God Found, Lost, and Found Again. Grand Rapids: Zondervan, 2014.

Yancey, Preston. Out of the House of Bread. Grand Rapids: Zondervan, 2016.